Skip to main content
Observing a Waterfall in Remote Mountains
Observing a Waterfall in Remote Mountains

Observing a Waterfall in Remote Mountains

Artist (Chinese, 1585 - 1664)
Date1658
DynastyMing dynasty (1368-1644)
MaterialsInk on silk
DimensionsH. 73 1/4 in x W. 19 3/8 in, H. 186.1 cm x W. 49.2 cm (image); H. 116 1/2 in x W. 25 7/8 in, H. 295.9 cm x W. 65.7 cm (overall)


Credit LineThe Yeh Family Collection
Object number2004.34
DepartmentChinese Art
ClassificationsPainting
On View
Not on view
SignedSeal:“石塢頭陀”白文方印;“藍瑛之印”朱文方印。
Inscribed梅花和尚師燕文貴,余師和尚五十年,運筆潑墨殊有神會,不似 今之畫家,隃麋毫穎,動輒唐突古人。偶與大孫慨六法之沈淹, 因法文貴法,兼擬仲圭法,亦我有我法。大孫讀書餘参之,當有 自得處。蜨叟時年七十有三。
More Information

Reclusive life in the mountains is often depicted with waterfalls. Lan Ying, a renowned landscaper painter, combines fishing with watching waterfalls in this hanging scroll. Fishermen have anchored their boats and play flutes along the shore. At the top of the mountain sits a man in a cottage, watching a waterfall pour down from the peaks. This peaceful scene is rendered in a distinctive manner by its seventy-three-year-old artist through manipulation of ink and brush, with strokes that are dark and harsh or dry and soft.

As Lan states in his inscription on the painting, his work is influenced by that of the monk and painter Wu Zhen (1280–1354). Lan spent fifty years studying Wu’s landscapes. Wu, who referred to himself as Plum Monk, followed Tao Yuanming’s lifestyle of living in poverty and isolation. His lyrical style, as applied to the subjects of fishing and seclusion, influenced the sensibility of many later artists.