Fish

Unlike the vertical compositions commonly used for paintings of fish, Chao presents this subject in a horizontal arrangement. Two big fish swimming toward the right dominate most of the composition. Approaching from the opposite direction are smaller fish. This directional effect contributes to the appearance of swift-flowing water. Sweeping, textured brushstrokes create a sense of movement in the underwater world, enhanced by moisture washes. The absence of background brushstrokes gives an impression of clarity in the water.

The artist's inscription on the painting reveals his strategic scheme:

An empty expanse of bright, clear spring water,
Several paired couples pursue the floating weeds.

Yichou year [1985]. Shao-an painted this on a bright spring day.