Catching the ox
Artist
Sekkyakushi
(Japanese, active approx. 1400-1450)
Place of OriginJapan
Dateapprox. 1400-1450
PeriodMuromachi period (1392-1573)
CultureJapanese
MaterialsInk on paper
DimensionsImage: H. 18 3/4 in × W. 9 1/8 in (H. 47.6 cm × W. 23.2 cm)
Overall: H. 52 3/8 in × W. 14 1/8 in (H. 133 cm × W. 35.9 cm)
Overall: H. 52 3/8 in × W. 14 1/8 in (H. 133 cm × W. 35.9 cm)
Credit LineTransfer from the Fine Arts Museums of San Francisco, Gift of Ney-Wolfskill Fund
Object numberB69D46
DepartmentJapanese Art
ClassificationsPainting
On View
On viewWith all his strength, a herder boy grasps the horns of a massive ox. In an attempt to mount the beast, the boy steps on the ox's neck to hold its head to the ground. The painting expresses the Zen message that enlightenment is attained through struggle. Here, the animal represents the unenlightened state, in which the mind rampages like an unruly ox. Zen meditation would catch the ox of the mind by means of religious discipline.
Paintings known as the "Ten Ox Pictures" were popular and inspirational teaching materials. This painting illustrates the fourth of the ten stages of attaining enlightenment. Sekkyakushi, a Zen monk, was a pioneer of Zen ink painting.
Subject
- ox
approx. 1600-1700
approx. 1600-1644
approx. 1750-1800
581-618
approx. 1300-1050 BCE