Arhat (luohan)
Place of OriginChina
Date1180
DynastyJin dynasty (1115-1234)
MaterialsMarble
DimensionsH. 43 5/8 in x W. 13 in x D. 8 in, H. 110.8 cm x W. 33.0 cm x D. 20.3 cm
Credit LineThe Avery Brundage Collection
Object numberB60S208
DepartmentChinese Art
ClassificationsSculpture
On View
On viewLocationGallery 16
InscribedThe inscription, roughly translated, reads:
The good people everywhere in the autumn of the twentieth year of Dading (1180), cyclical date being gengzi, respectfully made (this) lohan figure.
More InformationDressed in the clothes of a monk and holding a rosary, this emaciated and intense figure has the appearance of an eccentric monk. In fact, he is an example of a special group of Buddhist deities known as arhats. The historical Buddha, Shakyamuni, had a group of disciples who recorded his sayings and continued his teachings after he attained nirvana. These figures were deified as arhats, beings who have reached a stage of perfection through study and meditation. Unlike bodhisattvas, who are noted for their compassion,
arhats are noted for their intense powers of spiritual concentration. It is common for Chinese artists to exaggerate certain features of these figures to emphasize their spiritual nature, and some figures are often given qualities associated with Daoist immortals. They appear in sets of varying quantities, with eighteen and five hundred being the most common.
arhats are noted for their intense powers of spiritual concentration. It is common for Chinese artists to exaggerate certain features of these figures to emphasize their spiritual nature, and some figures are often given qualities associated with Daoist immortals. They appear in sets of varying quantities, with eighteen and five hundred being the most common.
Subject
- arhat
- luohan
618-917 or later
approx. 1700-1900
approx. 1700-1900
approx. 700-800
approx. 1700-1900
approx. 1700-1900
1644-1911
916-1125