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Five Bodhi Leaves

Artist (American, b. 1926)
Date2021
CultureAsian American, American, woman artist, Japanese American
MaterialsBodhi tree leaves, Nepalese paper, starch glue, and acrylic fixative spray
DimensionsH. 6 in × W. 8 in (H. 15.2 cm × W. 20.3 cm)
Credit LineAcquisition in honor of Akiko Yamazaki made possible by Yogen and Peggy Dalal, Fred Levin, The Shenson Foundation, Gorretti Lo Lui, Ken and Ruth Wilcox, and Salle E. Yoo and Jeffrey P. Gray
Object number2021.26
ClassificationsSculpture
On View
Not on view
More Information

As a commission for the Asian Art Museum, Kay Sekimachi created four of her iconic “leaf bowls” in January 2021, using preserved Bodhi tree and rubber tree leaves gifted by her stepdaughter. In these works, the Berkeley-based, Japanese American artist transforms leaves—which over time have dried into skeletal wisps— into fragile vessels that bloom outward like flowers. The leaves radiate from a paper base, which acts as a structural support.

The series demonstrates the innovative way that Sekimachi incorporates unconventional materials into her practice, as well as her long-standing interest in the simplicity of natural forms. Although best known as a master fiber artist who constructs three-dimensional hanging sculptures, Sekimachi also fashions baskets and bowls that serve as conceptual extensions of her weaving practice. The preserved leaf skeletons take on a lace-like quality, made up of an intricate web of countless delicate strands, recalling how threads are woven together on a loom.

Two Bodhi Leaves
Kay Sekimachi
2021
Eleven Leaf
Kay Sekimachi
2021
Flower
Kay Sekimachi
2021
Ogura Vessel
Kay Sekimachi
2004
Bowl
Kay Sekimachi
1990-1995
Bowl
Kay Sekimachi
2005
Bowl
Kay Sekimachi
1995
Bowl
Kay Sekimachi
2000-2005
Bowl
Kay Sekimachi
2005
4 Twine Lines
Kay Sekimachi
2012
Fire Season
Jenifer K. Wofford
2021