Bamboo
Dateapprox. 1650-1700
DynastyJoseon dynasty (1392-1910)
MaterialsInk on paper
DimensionsH. 53 in x W. 35 in, H. 134.6 cm x W. 88.9 cm (image); H. 83 1/8 in x W. 44 1/8 in, H. 211 cm x W. 112.1 cm (overall)
Credit LineGift of the Connoisseurs' Council and Korean Art and Culture Committee
Object number2001.5
DepartmentKorean Art
ClassificationsPainting
On View
Not on viewBecause bamboo is an evergreen, flourishing even in winter, it symbolizes steadfastness and an unbreakable spirit. Therefore, it has been an especially favored subject for Korean scholar-painters, who often painted bamboo and orchids during personal and national crises. Although bamboo paintings with no background became more popular in later times-owing to the influence of the famous bamboo painter Yi Jeong (1541-1622)-painters such as Sin Jam (1491-1554), Yi Gyeong-yun (1545-1611), and Yi Jing (1581-1645) often included water in the foreground of their works.
Yun In-ham's composition is well balanced. His brush strokes are strong and confident, and he achieved a graceful contrast of light and dark. His treatment of the full moon, which is partially hidden by a branch, is effective in creating a contemplative mood.
A scholar-painter, Yun held an important government position during the second invasion of Korea by Japanese forces in 1597. He signed this work with his pen name, Jukjae, meaning "bamboo studio," a reference to his fame as a painter of bamboo.
Yun In-ham's composition is well balanced. His brush strokes are strong and confident, and he achieved a graceful contrast of light and dark. His treatment of the full moon, which is partially hidden by a branch, is effective in creating a contemplative mood.
A scholar-painter, Yun held an important government position during the second invasion of Korea by Japanese forces in 1597. He signed this work with his pen name, Jukjae, meaning "bamboo studio," a reference to his fame as a painter of bamboo.
Subject
- bamboo
approx. 1900-1990