Taima Mandala
Place of OriginJapan
Date1300-1400
PeriodKamakura period (1185-1333), Nanbokucho period (1333-1392), or Muromachi period (1392-1573)
MaterialsInk, colors, and gold on silk
DimensionsH. 70 1/8 in x W. 66 7/8 in, H. 178.12 cm x W. 169.86 cm (image); H. 82 3/8 in x W. 77 1/2 in, H. 209.23 cm x W. 196.85 cm (overall ), diameter of support 2 9/16 in. 6.5 cm, diameter of knob 2 1/2 in, 6.35 cm
Credit LineThe Avery Brundage Collection
Object numberB61D11+
DepartmentJapanese Art
ClassificationsPainting
On View
Not on viewThe Taima mandala is the most important ritual painting of the Pure Land Sect of Buddhism. The painting shows the Western Paradise, with the Buddha Amitabha (Japanese: Amida) at its center, sitting on a lotus throne, hands held before his chest in the gesture of preaching. Flanking him are two bodhisattvas and other attendants. Before them are musicians and dancers on a platform. Below this is the Holy Pond, where souls are being reborn among lotus flowers and leaves. The scenes in the right, left, and bottom borders narrate the ways to be reborn in this paradise.
This painting is modeled on an eighth-century mandala that was housed at Taima Temple in Nara. The silk hanging measured four meters square. It remained little noticed until 1217, when it was rediscovered and brought to popular attention. Thereafter, painted copies of it were made and distributed throughout Japan for more than 700 years. The painting displayed here is acknowledged as one of the best of the early devotional copies because it retains the grand scale, beautiful colors, and excellent artisanship of the earlier work.
This painting is modeled on an eighth-century mandala that was housed at Taima Temple in Nara. The silk hanging measured four meters square. It remained little noticed until 1217, when it was rediscovered and brought to popular attention. Thereafter, painted copies of it were made and distributed throughout Japan for more than 700 years. The painting displayed here is acknowledged as one of the best of the early devotional copies because it retains the grand scale, beautiful colors, and excellent artisanship of the earlier work.
Subject
- mandala
- Buddhism
approx. 1300-1333
1300-1400
approx. 1700-1800
1800-1900
approx. 1350-1400