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The lama Losang Palden Yeshe and the assembly field of the Gelug Order
The lama Losang Palden Yeshe and the assembly field of the Gelug Order

The lama Losang Palden Yeshe and the assembly field of the Gelug Order

Place of OriginTibet
Date1800-1900
MaterialsColors on cotton
DimensionsH. 51 5/8 in x W. 34 1/8 in, H. 131.1 cm x W. 86.6 cm (image); H. 88 1/8 in x W. 44 1/8 in, H. 223.9 cm x W. 112.1 cm (overall)
Credit LineTransfer from the Fine Arts Museums of San Francisco, Gift of Katherine Ball
Object numberB72D46
DepartmentHimalayan Art
ClassificationsPainting
On View
Not on view
More Information

An “assembly field” is a kind of Tibetan thangka that depicts the ancestral lineage of a given teaching or school. At the center of this assembly field is a gnarled tree; the composition of this thangka as both a tree and an organized field reflects wordplay between the terms for “tree” (shing) and “field” (zhing) which sound much alike. Thangkas of this type use the tree-form to integrate a large amount of visual information into one schematic form, making them ideal tools for memorization and meditation.

At the center of the assembly field a rainbow circle enshrines Losang Palden Yeshe, the sixth Panchen Lama. At the lama’s heart a tiny image represents the lama’s chosen deity. Seven circles of spiritual hierarchy surround Losang Palden Yeshe. Lamas appear first, followed by a circle of fierce visualization buddhas, including Chakrasamvara. Celestial buddhas and bodhisattvas fill in the subsequent circle, and guardian figures occupy the outer circumference of the assembly.