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Iconographic drawing of seated Manjushri (Japanese: Monju)
Iconographic drawing of seated Manjushri (Japanese: Monju)

Iconographic drawing of seated Manjushri (Japanese: Monju)

Place of OriginJapan
Dateapprox. 1150-1185
PeriodHeian period (794-1185)
CultureJapanese
MaterialsInk on paper
DimensionsH. 23 in x W. 16 in, H. 58.5 cm x W. 40.5 cm (image); H. 56 1/2 in x W. 21 5/8 in, H. 143.5 cm x W. 55.0 cm (overall)
Credit LineGift and Purchase from the Harry G.C. Packard Collection Charitable Trust in honor of Dr. Shujiro Shimada; The Avery Brundage Collection
Object number1991.55
DepartmentJapanese Art
ClassificationsPrints And Drawings
On View
Not on view
More Information

This iconographic drawing depicts Monju, the bodhisattva of wisdom, who is the left attendant of the historical Buddha Shakyamuni. Unlike the more common representations of Monju—mounted on a lion and holding a raised sword in his right hand—this Monju is seated in the lotus position on a simple circular dais. He holds a scroll of the Buddha’s doctrine in his right hand and a lotus stem in his left. His hair has been arranged into five knots (gokei) which stand for the “five types of knowledge.” These knots also symbolize the five-character mantra that expresses Monju’s power and wisdom.

Monju is drawn here in fluid, thin ink lines. Color instructions are inscribed on both sides of the figure. A character at the side of a lotus bud reads “blue”; on Monju’s right, four characters read “the holy body in white”; characters near the upper and lower parts of the garment read “blue-green” and “red” respectively. Such iconographic illustrations probably provided artists’ workshops with models for the preparation of formal paintings.

Provenance: Kozanji Temple, Kyoto; sold to Miura Kanju in the Meiji period (1868-1912); donated to the Asian Art Museum by Harry Packard in 1991.